TAUCHER
exhibition concept, exhibition planning, project management, sound scenography, research & content, media planning, field recordings, sound design, audio production, spatial mixing, audio guide, lighting design, corporate design, graphics & guidance systems, interactive exhibits, exhibition furniture, booklet, texts, photos, Website
CREDITS
Client: Stiftung Nordfriesland
Graphic design: Lena Panzlau, FÖRM
Script writer & director Voice recordings: Paul Norman Zacher
Cast and assistant director voice recordings: Lilian Siebert
Actors: Frederic Böhle, flail // Oliver Dupont, petroleum lamp // Peer Martiny, branding iron // Dirk Schoedon, hoof scraper // Andreja Schneider, butter churn // Jörg Seyer, wagon wheel // Eva Mannschott, grain shovel // Friedhelm Ptok, Red Haubarg // Maria Rensen, bell // Tim Oliver Schultz, clootstock and young farmer // Klara Volquardsen, cowgirl // Birthe Wolter, thatching tools // Daniel Zillmann, haystack & devil
Voice recording studio: Hofkapellmeister
Exhibit construction: Michael Grosch
Interaction: laloma
TECH
12 interactive exhibits with optical sensors
3D immersive loudspeaker array
37 loudspeakers
3 subwoofers
Spatial audio technologies: MNTN object based realtime rendering, 3D surround panning, manual channel routing
Original 3D audio Ambisonics field recordings on site
Virtual acoustics and reverberation
Audio synchronized with lighting and daytime
Dynamic, audio-responsive lighting
Generative composition based on sampled objects
3D immersive audiowalk with high quality headphones
Floor size: 20.000 m²
AWARD
MUTEC Award for outstanding achievements in the design of exhibitions in museums
ADC Award Gold for Spatial Experience / Exhibition for Subject
Museum Roter Haubarg
Roter Haubarg
Witzwort, North Frisia (DE) – 2024
For the Roter Haubarg Museum, we have completely reimagined the traditional concept of a “local history museum” and transformed it into an immersive experience by integrating elements of theater, gaming, and audio storytelling.
The new exhibition operates without text panels, photographs, graphics, or media stations. The exhibits speak for themselves; they communicate their story without needing explanation. Each exhibit possesses a distinct character and an unmistakable voice conveyed through its own loudspeaker. The house serves as both the stage for the new exhibition and the most important exhibit. As you approach the individual characters, they share stories about their lives. Some create music through real-time generative composition using sampled sounds from the original objects. Every hour, visitors are immersed in one of four extended narratives presented collectively by all the exhibits. The exhibition seamlessly continues into the outdoor space with an audio walk where the charming Roter Haubarg invites you to enjoy an informative stroll.
The Red Haubarg comes alive; the unique exhibits are engaging and playful, allowing visitors to become part of the story—a cohesive microcosm of living objects within the authentic atmosphere of a historical cultural monument.
